Throughout East Asia, the imagery of [The Appearance of the Jeweled Stupa] chapter has inspired painting, sculpture, and exegesis. In Tiantai Buddhism, that imagery became part of a narrative of mythic origins: Zhiyi and his teacher Huisi, it was said, had together heard Śākyamuni Buddha’s original preaching of the Lotus Sūtra in the Vulture Peak assembly and were later born together in China, where they became master and disciple. The Japanese Tendai founder Saichō incorporated this tradition into his account of his Tendai dharma lineage. Shortly after Saichō’s death, when a new state-sponsored ordination platform was erected at the monastery that he had established on Mount Hiei, a representation of the jeweled stūpa of Prabhūtaratna, together with an image of Śākyamuni, was enshrined there. In medieval Japan, the Tendai esoteric “Lotus rite” or Hokke hō, conducted to realize buddhahood, eradicate sin, prolong life, quell disasters, and achieve other aims, employed a mandala depicting the two buddhas Śākyamuni and Prabhūtaratna, seated side by side on a lotus, in its central court.