In a way, the interdependent character of this world is also shown in the greetings that Wonderful Voice Bodhisattva brings to Shakyauni Buddha: “World-honored one,” he says:

Are your ailments and troubles few? Is your daily life and practice going smoothly? Are the four elements in you in harmony? Are the affairs of the world tolerable? Are living beings easy to save? Are they not excessively greedy, angry, foolish, jealous, and arrogant? Are they not lacking in proper regard for their parents? Are they not disrespectful to novice monks? Do they not have wrong views and inadequate goodness? Are their five emotions not out of control? (LS 366)

Here we can clearly see that the same Buddha who can illuminate the entire universe, the same Buddha whose land this is, the same Buddha who provides us with infinite opportunities to experience joy in service to the Dharma, this same Buddha is far from all-powerful or utterly independent in the fashion of both Indian and Western gods. This is a buddha who is supremely interdependent, one who both serves all others and at the same time is dependent on all others. This Buddha needs bodhisattvas, and needs ordinary human beings to be bodhisattvas in order to accomplish the Buddha’s work of saving all the living.

That is why Wonderful Voice Bodhisattva can take on the form of a buddha. He can become the Buddha for anyone who needs saving grace to come to them in the form of a buddha.

Though life here may be very difficult, with suffering of many kinds all around, with many difficulties to face, we should consider ourselves fortunate to have so many opportunities to be of service, to practice the bodhisattva way of helping others, and, which is part of the same thing, being helped by others. This is a world in which interdependence, the mutual dependence of living beings upon one another, is abundantly realized. We depend upon our ancestors and our descendants depend upon us; we depend upon our neighbors and our neighbors depend upon us; we depend upon the Buddha and the Buddha depends upon us. This world is through and through a world of interdependent relationships.

This story [in Chapter 24] begins with an event not unlike that in the very first chapter of the Dharma Flower Sutra, in which the Buddha emits light of such power that it illumines very distant worlds. Since light is virtually always a symbol of wisdom, we can assume that here too we have a visual image indicating that the influence of Shakyamuni’s wisdom is not limited to his world, our world, but also goes to the far reaches of the universe. He is, in other words, the light of all the worlds. Though he is the Buddha of this world, he is also, in some way not clearly spelled out, the Buddha of all worlds. This has been indicated many times in the Dharma Flower Sutra, most dramatically perhaps in Chapter 11, where Shakyamuni Buddha assembles the buddhas and bodhisattvas from all over the universe.

Though hardly unique to [Chapter 24] of the Lotus Sutra, one very clear message here is the one given by his buddha to Wonderful Voice Bodhisattva: Don’t make light of Shakyamuni’s world! Even though its ground is not made of gold or other precious materials but of dirt, even though it is not smooth but includes many high and low places and even rocks and mountains, even though its buddha and bodhisattvas are extremely short and unattractive compared with ours, one should never think that world is inferior.

We can only guess what is behind the concern contained in this statement. Obviously, the writers believed that someone was not taking this world seriously enough. Does it indicate a time and place where people thought some distant land, some faraway paradise, was to be preferred to this world? Does it indicate a reaction to a worldview that rejected the reality and importance of this world in favor of some ideal world? We cannot be sure. But it is very clear that both here and in many other places the Dharma Flower Sutra emphasizes the value and importance of life in this world, the home of Shakyamuni Buddha, in which the path of the bodhisattva can be taken, the land that is our only home and place of practice.

Here [in Chapter 24] it might be relevant to remember that this display of light by Shakyamuni Buddha has happened in Chapter 1. There we learn that it has happened many times in the past, always signifying that the Buddha was about to preach the Dharma Flower Sutra. Should we assume that this meaning has simply been forgotten here? Or might it be the case that in the story of Wonderful Voice Bodhisattva the Dharma Flower Sutra is being preached in some way? But here its teaching is seen not so much as something oral or written, but as a kind of action. That is, Wonderful Voice Bodhisattva can be understood to be preaching or teaching the Dharma Flower Sutra not so much by words as by embodying it by taking on whatever forms are needed to help others. The voice of Wonderful Voice then, is wonderful not by being loud or beautiful but by being absent! His voice, in a sense, is his body, which takes on whatever form is needed by others.

While Kwan-yin, Manjushri, and Maitreya are famous, especially in China and throughout East Asia, for taking on whatever body is needed in order to be helpful to others, Wonderful Voice Bodhisattva is hardly known outside of the Dharma Flower Sutra, or even outside of Chapter 24 of the Dharma Flower Sutra. He seems, for example, to have been completely neglected by artists. I do not know why this is so. It certainly cannot be because this story is any less encouraging to women than the Kwan-yin chapter. Here, by indicating numerous ways in which Wonderful Voice takes on female bodies, the text goes to some lengths to assure women that they too can become bodhisattvas, that they themselves can become Wonderful Voice Bodhisattva. Perhaps one reason that this bodhisattva failed to attract artists is that it is difficult to portray a face as beautiful as millions of moons together!

Nor do we know whether the story of Wonderful Voice Bodhisattva is older or younger than the story in the Dharma Flower Sutra of Kwan-yin Bodhisattva. But I think it is no accident that in the Dharma Flower Sutra this story is placed just before the Kwan-yin chapter. Kwan-yin is enormously famous for being able to take on any form in order to save others. One could easily think that this special power to take on different forms belongs to Kwan-yin alone. But in the Dharma Flower Sutra we are clearly shown that almost exactly the same power and list of forms is also attributed to Wonderful Voice. The point, I believe, is not that there are two bodhisattvas with such power, but that every bodhisattva has such power. We are not talking about magical tricks here. The ability to take on different forms according to what is needed means just that, an ability to adapt to different situations, particularly to the different needs of people. Taking on different forms is no more and no less than the ability to serve others usefully, practically, and effectively. This is a power given not only to the bodhisattvas Kwan-yin and Wonderful Voice, but to each and every one of us.

Thus, one obvious meaning of this story for us is that we too can become bodhisattvas who take on different forms and roles in order to help others. And there is another side to this, even its opposite – anyone can be a bodhisattva for us. If Wonderful Voice Bodhisattva can take on any form, anyone we meet might be Wonderful Voice Bodhisattva in a form designed to help us! But very often at least, someone can be a bodhisattva for us only if we let them, only if we open ourselves in such a way as to enable someone to be a bodhisattva for us.